In the hauntingly powerful novel 'Darkness at Noon,' Arthur Koestler delves into the psyche of a revolutionary imprisoned during the Stalinist purges. As Rubashov grapples with betrayal and ideological conflict, he faces a harrowing moral dilemma: surrender his beliefs or remain steadfast to a doomed cause. The chilling narrative explores the fragility of truth and the nature of power in totalitarian regimes, inviting readers to reflect on the cost of loyalty and the struggle for individuality. With each page, the tension mounts as Rubashov's fate hangs in the balance, provoking profound questions about justice and sacrifice. Can one man’s reckoning alter the course of history, or is he merely a pawn in an unforgiving game?
By Arthur Koestler
Published: 2019
"In the struggle for truth, the greatest betrayal is to compromise one's own conscience."
The newly discovered lost text of Arthur Koestler’s modern masterpiece, Darkness at Noon—the haunting portrait of a revolutionary, imprisoned and tortured under totalitarian rule—is now restored and in a completely new translation. Editor Michael Scammell and translator Philip Boehm bring us a brilliant novel, a remarkable discovery, and a new translation of an international classic. In print continually since 1940, Darkness at Noon has been translated into over 30 languages and is both a stirring novel and a classic anti-fascist text. What makes its popularity and tenacity even more remarkable is that all existing versions of Darkness at Noon are based on a hastily made English translation of the original German by a novice translator at the outbreak of World War II. In 2015, Matthias Weßel stumbled across an entry in the archives of the Zurich Central Library that is a scholar's dream: “Koestler, Arthur. Rubaschow: Roman. Typoskript, März 1940, 326 pages.” What he had found was Arthur Koestler’s original, complete German manuscript for what would become Darkness at Noon, thought to have been irrevocably lost in the turmoil of the war. With this stunning literary discovery, and a new English translation direct from the primary German manuscript, we can now for the first time read Darkness at Noon as Koestler wrote it. Set in the 1930s at the height of the purge and show trials of a Stalinist Moscow, Darkness at Noon is a haunting portrait of an aging revolutionary, Nicholas Rubashov, who is imprisoned, tortured, and forced through a series of hearings by the Party to which he has dedicated his life. As the pressure to confess preposterous crimes increases, he re-lives a career that embodies the terrible ironies and betrayals of a merciless totalitarian movement masking itself as an instrument of deliverance. Koestler’s portrayal of Stalin-era totalitarianism and fascism is as chilling and resonant today as it was in the 1940s and during the Cold War. Rubashov’s plight explores the meaning and value of moral choices, the attractions and dangers of idealism, and the corrosiveness of political corruption. Like The Trial, 1984, and Animal Farm, this is a book you should read as a citizen of the world, wherever you are and wherever you come from.
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“In the struggle for truth, the greatest betrayal is to compromise one's own conscience.”
Darkness at Noon
By Arthur Koestler
Discover a world of knowledge through our extensive collection of book summaries.
Arthur Koestler (1905-1983) was a Hungarian-British author and journalist, renowned for his exploration of political and philosophical themes during the 20th century. He is best known for his influential works such as "Darkness at Noon", a profound examination of totalitarianism and the moral dilemmas faced by individuals in oppressive regimes, and "The Sleepwalkers", an acclaimed history of mankind's search for scientific understanding. Koestler's writing style is characterized by its intellectual rigor, engaging narrative, and deep psychological insights, often reflecting his own tumultuous experiences with ideology and conflict. A staunch advocate for human rights, he was also a prominent critic of totalitarianism, which shaped much of his literary output.
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