In 'The Bloody Chamber,' Angela Carter weaves a tapestry of dark fairy tales, where innocence is juxtaposed with the macabre. A young bride discovers the sinister secrets of her new husband and the hidden truths of desire and violence. As she navigates through a world of seductive danger and eerie enchantment, her journey explores the complexity of female identity and empowerment. Each story within the collection serves as a haunting reimagining of classic myths, revealing layers of meaning beneath their surface. Prepare to be captivated by a rich narrative that lingers long after the final page.
By Angela Carter
Published: 2015
"The doors of the Bloody Chamber are locked, for the inside to be revealed is to encounter the darkness of desire and the light of truth."
For the 75th anniversary of her birth, a Deluxe Edition of the master of the literary supernatural’s most celebrated book—featuring a new introduction by Kelly Link Angela Carter was a storytelling sorceress, the literary godmother of Neil Gaiman, David Mitchell, Audrey Niffenegger, J. K. Rowling, Kelly Link, and other contemporary masters of supernatural fiction. In her masterpiece, The Bloody Chamber—which includes the story that is the basis of Neil Jordan’s 1984 movie The Company of Wolves—she spins subversively dark and sensual versions of familiar fairy tales and legends like “Little Red Riding Hood,” “Bluebeard,” “Puss in Boots,” and “Beauty and the Beast,” giving them exhilarating new life in a style steeped in the romantic trappings of the gothic tradition. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
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“The doors of the Bloody Chamber are locked, for the inside to be revealed is to encounter the darkness of desire and the light of truth.”
The Bloody Chamber
By Angela Carter
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Angela Carter (1940–1992) was a renowned British author known for her groundbreaking contributions to feminist literature and magical realism. Her notable works include 'The Bloody Chamber,' a collection of reimagined fairy tales that explore themes of sexuality and power, and 'Nights at the Circus,' which blends fantasy and realism through the story of a circus performer with wings. Carter's writing is characterized by rich, poetic language and an exploration of the grotesque, often subverting traditional narratives to challenge societal norms.
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SHORTLISTED FOR THE BAILEY'S WOMEN'S PRIZE FOR FICTION 'A delicious, important novel' The Times 'Alert, alive and gripping' Independent 'Some novels tell a great story and others make you change the way you look at the world. Americanah does both.' Guardian As teenagers in a Lagos secondary school, Ifemelu and Obinze fall in love. Their Nigeria is under military dictatorship, and people are fleeing the country if they can. Ifemelu--beautiful, self-assured--departs for America to study. She suffers defeats and triumphs, finds and loses relationships and friendships, all the while feeling the weight of something she never thought of back home: race. Obinze--the quiet, thoughtful son of a professor--had hoped to join her, but post-9/11 America will not let him in, and he plunges into a dangerous, undocumented life in London. Thirteen years later, Obinze is a wealthy man in a newly democratic Nigeria, while Ifemelu has achieved success as a writer of an eye-opening blog about race in America. But when Ifemelu returns to Nigeria, and she and Obinze reignite their shared passion--for their homeland and for each other--they will face the toughest decisions of their lives. Fearless, gripping, spanning three continents and numerous lives, Americanah is a richly told story of love and expectation set in today's globalized world.
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