"Seeing comes before words. The child looks and recognizes before it can speak. "But there is also another sense in which seeing comes before words. It is seeing which establishes our place in the surrounding world; we explain that world with words, but word can never undo the fact that we are surrounded by it. The relation between what we see and what we know is never settled." John Berger's Ways of Seeing is one of the most stimulating and the most influential books on art in any language. First published in 1972, it was based on the BBC television series about which the (London) Sunday Times critic commented: "This is an eye-opener in more ways than one: by concentrating on how we look at paintings . . . he will almost certainly change the way you look at pictures." By now he has. "Berger has the ability to cut right through the mystification of the professional art critics . . . He is a liberator of images: and once we have allowed the paintings to work on us directly, we are in a much better position to make a meaningful evaluation" -Peter Fuller, Arts Review "The influence of the series and the book . . . was enormous . . . It opened up for general attention to areas of cultural study that are now commonplace" -Geoff Dyer in Ways of Telling
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John Berger was a British art critic, novelist, painter, and poet, known for his influential contributions to literature and visual arts. Born on November 5, 1926, in London, Berger gained prominence with his groundbreaking book 'Ways of Seeing' (1972), which challenged traditional viewpoints on art and culture. His thought-provoking novels, including 'G' (1972) and 'To the Wedding' (1995), showcase his unique narrative style, blending sharp social commentary with rich, poetic prose. Berger's writing often reflects his deep concerns for social justice, human rights, and the complexities of perception and reality. He received numerous accolades throughout his career, including the Booker Prize in 1972. Berger passed away on January 2, 2017, leaving behind a profound legacy that continues to inspire readers and artists alike.
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Louise Bourgeois, Lawrence Rinder, University Art Museum and Pacific Film Archive, Drawing Center (New York, N.Y.)
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